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April 7, 2014 Featured

Celebrate National Poetry Month - Summarize With a Poem

  • About the Author
  • Latest Posts

About Jake Miller

Mr. Jake Miller is the 2016 National History Day Pennsylvania Teacher of the Year, a 2017 NEA Global Fellow to China, and a former candidate for county-wide office. Miller has written more than 500 articles, most of which have appeared on The Educator's Room. He's the opening contributor to TER's book When the Fire Is Gone. Learn more about Jake at www.MrJakeMiller.com
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shutterstock_21198205Teachers of all subjects, grades, and walks of life
Don't treat poetry like you're holding a knife!
This is Poetry month - help it to come alive
By using poetry to summarize!

How can you use poetry in class this month? Just a few suggestions:

  • Have students work vocabulary words into a poem
  • Have students write a poem to a famous scientist, historical figure, favorite chef, author, or athlete
  • Students can also write a poem from the above listed individual's vantage point
  • Summarize a new mathematical process in a poem
  • Write your own poem and then have students respond to them
  • Students can work together to turn the message of a famous novel into a children's book that rhymes
  • Encourage students to make a rap about parts of the body
  • Take students outside to write a series of haikus about the weather - past, present, and June

Here are several different types of poems you can use as a summarizer in class this National Poetry Month:

LIMERICK - a funny based poem that has roots in Ireland, the limerick has a 5-line, AABBA rhyme scheme (A's rhyme with one another, B's rhyme with one another). The A lines are 8 or 10 syllables (or beats, to elementary students); the B's are 2 syllables less. Here's a limerick that was featured on Spongebob Squarepants a few years back:

There was an old man from Peru
Who dreamt he was eating his shoe.
He awoke in a fright
In th' middle of the night
And found it was perfectly true.

HAIKU - a nature-based poem that has roots in East Asia, the haiku has a 3-line, non-rhyme scheme. The first and last lines are 7 syllables, while the middle line is 5 syllables. Here's a haiku I wrote while looking outside:

I can see you there
Don't know the shade blocks you
Go away snow pile!

CINQUAIN - a varied poem that has roots in France, the cinquain is a 5-line, rhyme-less poem. The first line is a one-word title; the 2nd line describes it in 2 words; the 3rd line has two -ing actions verbs linked with a conjunction; the 4th line describes the 1st line in 4 words; the 5th line is a one word synonym of line 1. Cinquains are often center-spaced, too. Here's a cinquain I wrote about George Washington:

General
Brave American
Leading and defeating
Establish a new country
President

TROILET - a troilet is an 8-lined rhyming poem with repeating lines, originating in France & Britain. The rhyme scheme has the first line repeat twice (in the 5th and 7th lines), while the second line repeats as the last line. For the poetically devout, the scheme goes abAaABAaBb. Here's a troilet poem I have from either one of my colleagues or from our curriculum:

"A Rose"

The fragrance of a rose
Drifting through the fresh air
Brings delight to my nose
The fragrance of a rose
Even when my eyes close
It's beauty everywhere
The fragrance of a rose
Drifting through the fresh air

DIAMANTE - a 7-line, non-rhyming poem that contrasts two distinct, opposite things. The layout of a diamante is centered, thus giving it a diamond shape and its name. The setup of a diamante is, as follows:
line 1 - one noun (subject #1)
line 2 - two adjectives (describing subject #1)
line 3 - three participles (end in-ing, tell about subject #1)
line 4 - four nouns (first two relate to subject #1, second two relate to subject #2)
line 5 - three participles (end in -ing, tell about subject #2)
line 6 - two adjectives (describing subject #2)
line 7 - one noun (subject #2)

Here's a diamante entitled "Humans":

Baby
small, cute
cuddling, crawling, teething
giggling, spitting  --  emailing, texting
working, crying, laughing
large, mature
Adult.

 

FREE VERSE - here, the author mostly gets to make his/her own rules and break established ones. However, a good poem needs to distinguish the difference between what is just a written in prose (the way we normally speak) and verse (the flow of a poem). In addition, a good poem has a meaning that can be interpreted to all in a different way while using poetic devices. Here's a free verse poem I wrote entitled "His Name," which I'll use for Easter at church:

We use His Name
In so many ways:
The Heavenly Child
Lamb of God
Beloved Son
& Morning Star
born unto this world
as a sign of hope
The Rock
Prophet
Bread of Life
& Emmanuel
an oracle who spread
God’s Word and Love
The True Vine
Good Shepherd
Prince of Peace
& King of Kings
the leader of the weak
who need His guidance
The Messiah
Savior
Redeemer
& Alpha and Omega
our sacrifice
and salvation
But most importantly
The Carpenter
who built us a bridge
with 2 boards and 3 nails

 

Here's my favorite free verse poem from my favorite free verse poet, e.e. cummings "untitled (buffalo bill)":

Buffalo Bill's
defunct
who used to
ride a watersmooth-silver
stallion
and break onetwothreefourfive pigeonsjustlikethat
Jesus
he was a handsome man
and what i want to know is
how do you like your blueeyed boy
Mister Death

SONNET - the queen of all poems, and definitely the most difficult to master. The sonnet requires a constant rhyme scheme for 14-lines and iambic pentameter (10 syllables per line). There are two types, the Petrarchan (Italian) and the Shakespearean (British). The latter is my favorite of the two, mostly because it's rhyme scheme (ABAB CDCD EFEF GG) is easier for students to see and personally for me to work with. Here is one of Shakespeare's most famous, titled "The Dark Lady." The fun part of this sonnet is he talks smack on how his woman isn't really all that beautiful according to standards back then, but then at the end hits us with his true feelings.

My mistress' eyes are nothing like the sun,
Coral is far more red, than her lips red,
If snow be white, why then her breasts are dun:
If hairs be wires, black wires grow on her head:

I have seen roses damasked, red and white,
But no such roses see I in her cheeks,
And in some perfumes is there more delight,
Than in the breath that from my mistress reeks.

I love to hear her speak, yet well I know,
That music hath a far more pleasing sound:
I grant I never saw a goddess go,
My mistress when she walks treads on the ground.

And yet by heaven I think my love as rare,
As any she belied with false compare.

May this month honoring our nation's poetry
Make both you and your students happy
And teachers, don't be afraid to go the extra mile:
Poems affix firmly to students' faces - a smile.

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